Bob Peabody
the recurring dream
  • elements
  • water
  • earth
  • air
  • pure and absolute
  • pure and absolute
  • duplex
  • infrangible brutalizations
  • oceanic prosaicism
  • Untitled
  • tiny house
  • tiny house aesthetic
  • tiny house caravan
  • tiny house industrial
  • tiny house industrial metallic
  • tiny house telco
  • tiny house dystopia
  • street
  • richmond va
  • no restrooms or telephones
  • denim jacket
  • gold-toned silver prints
  • large format landscapes
  • large format portraits
  • large format still life
  • Hegel then Nietzsche
  • Hegel then Nietzsche
  • self-consciousness
  • baggage
  • perspectivism
  • the last man and the ouroboros
bio
contact
Bob Peabody
the recurring dream
  • elements
  • water
  • earth
  • air
  • pure and absolute
  • pure and absolute
  • duplex
  • infrangible brutalizations
  • oceanic prosaicism
  • Untitled
  • tiny house
  • tiny house aesthetic
  • tiny house caravan
  • tiny house industrial
  • tiny house industrial metallic
  • tiny house telco
  • tiny house dystopia
  • street
  • richmond va
  • no restrooms or telephones
  • denim jacket
  • gold-toned silver prints
  • large format landscapes
  • large format portraits
  • large format still life
  • Hegel then Nietzsche
  • Hegel then Nietzsche
  • self-consciousness
  • baggage
  • perspectivism
  • the last man and the ouroboros
bio
contact

the last man and the ouroboros

Wallace Shawn detested his character in the movie My Dinner with André. Nietzsche’s Last Man embodies that character: striving has been domesticated and life’s most daring questions are replaced by the homely comforts of security and routine.

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